從狐女形象看蒲松齡的女性文化心理

從狐女形象看蒲松齡的女性文化心理

摘   要

《聊齋志異》全書共4百7104篇，其中關于狐的故事就有8102篇之多。《聊齋志異》中的狐女，她們大多溫柔美麗、精明能干并且擁有自主自立的精神。在她們身上體現了1些可貴的進步思想：如主“情”的婚戀觀、把“淫”看成是合理且正當的要求、女性在家庭中地位的上升。但是，我們也發現在這些可貴的進步思想意識的背后，女性依然受到諸如1夫多妻制、貞節和家庭倫理道德等問題的限制，她們在感情世界、家庭生活中要背負傳統的枷鎖，可以說，蒲松齡的女性觀是進步與保守并存。《聊齋志異》很大程度上是站在男性的審美角度寫作的，書中的女性更多地帶有男性心中的理想色彩。
關鍵詞：美的頌揚；矛盾性；男性中心論

 
ABSTRACT

Liao Zhai Zhi Yi contain four hundred seventy-four pieces short story, twelve volumes, of which there are eighty-two articles related to the fox stories. It can be said this is most quintessence and core in the book.The nature of different fox women is the highest frequency rage. Most of them are tender and mild, beautiful, brightest and independence. We can find some progressive mind. Love is most important in marriage and sex is reasonable and legal. The status of women in the family is raised up. However, we also find behind the progress is that women are confined to polygamy, chastity and principle on ethic and so on. They are also chained by the tradition of emotion and family life. It can be said that Pu Songling’s attitudes toward women are both progress and conservative. Liao Zhai Zhi Yi is written using man’s perspective women in his book colour by female’s idea.
Key words: About beauty; contradictions; Male center theory

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