《葬花吟》的英譯比較

時間：2025-03-09 23:29:52 其他畢業論文我要投稿

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《葬花吟》的英譯比較

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Abstract

This essay puts forward the proposition that the aesthetic requirement is the eternal pursuit in poetry translation, and argues that if the translator wants to transmit the artistic conception of the original poetry, the translation should be based on the aesthetic requirement. In the translation process, the translator should adopt three standards, that is, accuracy, redundancy and acceptability to bring about the effect of the information. The faithfulness in poetry translation lies in the transference of artistic conception, emotion and style, among which artistic conception should be the starting point. The translator has to follow the information aesthetic principle, and the translation should be accurate in information and rich in beauty. Then he can translate poem in poem and achieve the beauty in form, beauty in sound and beauty in artistic conception. In the analysis of the two English versions of Zang Huayin, which are translated by Yang Hsien-Yi and David Hawkes respectively, the author employs not only the aesthetic requirement, but also the relevant point in linguistic, and points out that the translator should follow the Relative Principle, Quantity Principle, etc. Furthermore, the translator should follow that what can be translated is not necessary to translate, and what needs translation doesnt have to be translated directly.

Key words: Zang Huayin；poetry translation；
aesthetic requirement；comparative study

摘要

本文首先提出美是詩歌翻譯的永恒追求，認為漢詩英譯要傳達原詩的意境，應堅持美學原理。此理論認為，在具體的翻譯過程中，譯者應采用3條標準來把握信息傳達效果：準確度、冗余度和可接受性。準確度是指譯者對原信息的理解程度，以及轉換時善于處理種種因素而使原信息不失真的程度。冗余度是指譯者在確保原信息不失真時調節兩種代碼而求得“動態對等”的程度。可接受性是指譯語民族對經過轉換后的信息內容的接受程度。文章以兩個譯本——楊憲益、戴乃迭所翻譯的A Dream of Red Mansions和戴維•霍克斯所翻譯的The Story of the Stone為藍本，運用信息美論、質量原則、合作原則等相關理論深入分析《葬花吟》兩種英譯，從而提出翻譯應遵循信息美學原則，既要作到信息準確，又要富于美感。只有這樣才能作到以詩譯詩并符合音美、形美、意美。再者，從詩歌的翻譯方法上講，能夠翻譯的不1定非要翻譯，需要翻譯的不1定非要直接譯出。

關鍵詞：葬花吟；詩詞英譯；英語美學；英譯的比較研究

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